Artist Statement

Recent work reflects ideas of potential and healing through the process of creating voids and geometric shapes in meditative fields. I began this series after teaching in Rome with the University of New Orleans’ International Studies program in July 2018.  The deceptive simplicity of circles and squares in this work refer to the classical geometry that permeates the artwork in the city. Near the end of the trip, there was a blood moon, a lunar eclipse that lasted the longest of any of any in the twenty-first century. Eclipses mark beginnings, times for starting anew.  A new beginning, however, will always be tied to what came before it, and it is this shifting relationship that the work engages by evoking the potential of change. The work in painting replaces the void with a more literal moon, still evoking cycles and change with the addition of lunar magic.
 
The typewriter drawings speak to me about an inability to communicate, about redaction, and about the whirling thoughts that intrude upon meditative space.  I am interested in the idea of the print and easily disseminated information contrasted with the reality of language barriers and isolation that verges on the unhealthy.  
 
I have also utilized the metaphor of food to convey thoughts and messages about consumption, nourishment (or the lack thereof), the culture of food in New Orleans, and how that culture of food relates to communication.

​

In addition, I have on- and off- revisited a non-linear narrative I developed in graduate school called "The Extravaganza Awaits," which encompassed concepts of memory, the carnivalesque, and familial relationships.